By Rob Siebert
Editor, Fanboy Wonder
Teen Titans #1 was DC’s chance to take a series that had fallen on its butt since the New 52 began, and take it in an entirely new direction. There were so many ways the company could have taken this book about teenage superheroes, and made it different than anything else they’re putting out right now. They could have taken a more light-hearted, almost cartoony approach, like Amy Wolfram and Karl Kerschl did with Teen Titans: Year One. They could have recruited a young adult author to take advantage of the popularity of that genre, while also getting some new eyes on the product. Heck, they could have even played up the teens’ everyday lives more than their actual superheroics.
Instead, they gave the book to the guy who wrote Amazons Attack!
Teen Titans #1 sees a mysterious supervillain hijack a bus filled with schoolgirls and go speeding through Times Square. This quickly attracts the attention of our new line up of Teen Titans: Red Robin, Wonder Girl, Beast Boy, Raven, and Bunker. For reasons unclear, the hijacker apparently has a grudge against S.T.A.R. Labs. In any event, the Titans definitely have a new enemy. They also may have a P.R. crisis on their hands, as Bunker snaps on a civilian who nearly uses a slur against homosexuals.
Before we get into why this issue sucks, let’s talk about why Teen Titans has sucked overall since the relaunch happened…
In the New 52 canon, the team that began forming in Scott Lobdell and Brett Booth’s 2011 Teen Titans is, for whatever reason, the first and only incarnation of the group that has ever existed. While the book itself, along with books like Red Hood and the Outlaws and Batwoman, initially indicated otherwise, all such conversations have subsequently been edited out of existence. Thus, in this continuity, Tim Drake, Cassandra Sandsmark, and the other heroes from the Lobdell series are the original Teen Titans.
To put it plainly, that sucks. It robs a sense of richness and history from not only the Teen Titans series, but from characters around the DCU. Dick Grayson, Beast Boy, Raven, and Starfire are just a few of those effected. Hell, even if they weren’t called the Teen Titans, can’t we at least say they hung out? Can’t they have been some sort of group to set the precedent?
Secondly, the Red Robin costume. It sucked in 2011, it continued to suck through 2012 and 2013, and it still sucks in 2014. Brett Booth completely butchered any aura of coolness Tim Drake had by giving him a suit that’s way too busy and gimmicked up. The wings are idiotic, and there are way too many belts, capsules, pouches, pads, etc. This new series was the perfect chance to clean Red Robin up. But they missed the boat on that one too.
Thirdly, and most importantly, for the past few years Teen Titans has been just another superhero team book. Again, a GIANT missed opportunity. The element that makes the Teen Titans different, and what can potentially draw in a different demographic than say, Justice League, is the fact that they’re teenagers. They’re young, moody, and haven’t fully discovered who they are yet. That concept has so much fertile ground for storytelling, and that’s why it’s used so often in popular culture. The last writer to really get what Teen Titans should be about in the 21st century was DC’s very own Chief Creative Officer, Geoff Johns. If you look back at the first issue of his run, which began in 2003, you see heroes who are rebelling against the adults in their lives, coming to grips with what’s expected of them, and trying to find their place in the world. They were acting like teenagers. Imagine that…
We got hardly any of that in Lobdell’s series, and in this issue we have next to none of it. We have a cover that looks like a Facebook photo, because social media exists. And we have a young hero that takes exception to his sexuality being demeaned. But that’s certainly not something specific to teenagers is it? So what we end up with is just another superhero story. And not a very interesting one, because we don’t know enough about our villain, or what she (it’s a woman, apparently) intends to do.
Kenneth Rocafort isn’t the best choice to handle the pencil, either. This is especially true when it comes to Wonder Girl. Cassandra Sandsmark’s New 52 redesign essentially turned her into a Power Girl clone wearing a variation on Donna Troy’s old costume. As if that weren’t enough, Rocafort draws her without a trace of human emotion. At one point, she rips one of the kidnappers out of the speeding bus, and subsequently stands atop the bus while holding him up with one arm (shown below). She did this because she was angry he threatened to kill a young girl. But judging by her face, you’d think she was picturing herself laying on the beach or something. She seems to be there just to be the hot blonde with big boobs. What is this, The Big Bang Theory?
As for Bunker’s little outburst toward the end of the issue, I don’t have a problem with superhero comics tastefully addressing and incorporating gay issues in our culture. But I don’t have even the slightest confidence that Teen Titans can do that effectively. Yet another missed opportunity.
At the risk of sounding like a run of the mill fickle comic book geek, Teen Titans #1 gives us almost everything the series shouldn’t be. It’s business as usual. And when I open Teen Titans I’m not looking for business as usual. I’m looking for something different, something that takes on the DCU from a different angle. That’s not what this is. And unfortunately, it may be a long time before we see it again.
Front page image from dccomics.com. Image 1 from comicbook.com. Image 2 from comixology.com. Image 3 from adventuresinpoortaste.com.
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