Author Archive

Dwayne Johnson Announces His Role as Black Adam in Shazam

By Rob Siebert
Editor, Fanboy Wonder

After much speculation, Dwayne “The Rock” Johnson has made it official via Twitter this week: He will play Black Adam in the upcoming Shazam movie from Warner Bros. and New Line Cinema.

Johnson tweeted: “‘Kneel at his feet or get crushed by his boot.’ My honor to become.. #BlackAdam #TheAntiHero #DCComics” The tweet was accompanied by an image of the Gary Frank art used for the cover of Justice League #21.

Variety later provided an update, reporting that Warner Bros. subsidiary New Line Cinema would produce the film, and Darren Lemke (Shrek Forever After, Jack the Giant Slayer) will serve as screenwriter.

Toby Emmerich, president of New Line Cinema, told Entertainment Weekly that Shazam would be different from other comic book movies, and ”will have a sense of fun and a sense of humor. But the stakes have to be real.”

In the DC Comics universe, Black Adam is the arch nemesis of Shazam (formerly known as Captain Marvel). He’s been portrayed as both an outright villain, and an anti-hero. Judging by Johnson’s tweet, this film will portray him as the latter.

Reportedly, Shazam may reach theaters as early as July 2016.

Image 1 from wwe.com.

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Hawkeye’s Cut Scene in Captain America: The Winter Solider Revealed in

By Rob Siebert
Editor, Fanboy Wonder

The world hasn’t seen Jeremy Renner’s Hawkeye on screen since he appeared in The AvengersHowever, the character was at one point slated to appear in this year’s Captain America: The Winter Soldier.

In an interview with Screen Rant, co-director Joe Russo revealed Hawkeye was to have been one of the S.H.I.E.L.D. operatives hunting down Steve Rogers.

“We were trying to complicate the relationship between Cap and his S.H.I.E.L.D agent friends,” Russo said. “If Hawkeye got a call from S.H.I.E.L.D saying Captain America is a fugitive, would he listen to that call or not listen to that call? That sequence actually was heartbreaking for us to cut it. I think it ultimately might have been a conflict with Renner’s schedule. But there was a great sequence where Hawkeye was chasing Cap through Washington D.C. there was an awesome sequence where they confronted each other in a ravine on the outskirts of D.C. and Hawkeye was shooting a series of arrows closing in on Cap, Cap closing in on him. And then Cap took him down and he realized for the first time that Hawkeye was trying to trick S.H.I.E.L.D, where he whispered something into Cap’s ear that Cap had a tracker on his suit and to punch Hawkeye to make it look real, because there was a Quinjet hovering above where they were watching the feedback back at S.H.I.E.L.D.”

While the idea was cut, Russo said that may have “streamlined the movie and made it a little bit more propulsive.”

Image from screenrant.com.

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Emasculating John Cena, and Other Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Thoughts From Raw:

The opening segment damn near kills the show. I hate to sound overdramatic, but that was in fact the case. Six man tags do so little for me anyway. But then to base it around the notion that Triple H doesn’t know if John Cena is really ready for Brock Lesnar at Night of Champions, after he friggin’ ran through the Wyatts last week, was nearly too much for me to take. I was worried the Raw broadcasts until Night of Champions would essentially be time killers, and this show did nothing to dissuade that. There was one bright spot to that opening segment though…

Triple H and Chris Jericho trade barbs during “Highlight Reel.” For whatever reason, Triple H likes to take little shots at the talent from time to time. We’ve seen these digs go toward top stars like John Cena, and even at virtually helpless ring announcers like Lilian Garcia. But occasionally, Hunter will get in there with someone like Chris Jericho, who doesn’t need to be in a WWE ring at this point in his career, and things get interesting. Granted, you can argue Jericho fired the first shot with the “shnoz” remark. But Hunter kind of kept things going needlessly. Either way, it’s refreshing to see talents who are unafraid to stand up for themselves and their characters when it becomes necessary.

John Cena lets Roman Reigns get the pinfall in the main event. So in a six man tag match where each man is supposed to be fighting to prove that he should be the top contender for the WWE Championship, Cena lets Reigns get the pin? Well, obviously it was to continue Reigns’ ascension toward main event level stardom. But from a character standpoint it made no sense.

Paul Heyman cuts a promo on the “emasculation” of John Cena at SummerslamWhile everybody else was essentially killing time, Paul Heyman was selling Night of Champions. I loved the direction he took things, and that’s the notion the whole show should have been built around. That could have fired up Cena, and prompted him to take charge in the main event. But instead they argued about whether Cena should really be the top contender.

The Miz (w/Damien Sandow) & Cesaro def. Dolph Ziggler & SheamusI actually like what Damien Sandow is doing as The Miz’s “stunt double.” Firstly, Miz got some nice heat out of the finish tonight. Secondly, it gives Sandow something do to other than wear silly costumes every week. And if they keep this duo together for awhile, it opens the door for a feud down the line. So what the hell, make Sandow a stunt double. Lord knows he’s played stranger roles this year…

Boredom with the Bellas, plus AJ and Paige. I was lucky enough to have gotten home late this week, so I was able to fast-forward through he vignettes where Nikki talked about “growing up Bella.” In terms of the in-ring segment, the acting was a little better this week, but it was still incredibly grating. I’m not exactly thrilled to see the intersection with Paige and AJ’s story, but this was obviously where it was going the whole time. I smell a triple threat match for Night of Champions. Paige vs. AJ vs. Nikki, and God help us, Nikki takes the title.

Incidentally, Stephanie vs. AJ? Yes please.

Goldust & Stardust continue to play heels against the Usos. Nope. Still not buying it. And if the chants are any indication (which they are, of course) neither are some of the fans. I maintain what I said last week. Goldust is too iconic for die-hard WWE fans to boo, and it’s silly for them to try and force the issue. But who knows? Maybe it’ll go somewhere good, and we’ll finally get to see the brothers fight. Though with the Bellas in a feud right now, it seems unlikely they’d go with another sibling rivalry program.

Images from WWE.com.

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A Review of The Walking Dead, Vol. 21 – Hook, Line, and Sinker

TITLE: The Walking Dead, Vol. 21:  All Out War – Part Two
AUTHOR: Robert Kirkman
PENCILLER: Charlie Adlard
COLLECTS: The Walking Dead #121-126
FORMAT:
Softcover
PUBLISHER: Image Comics
PRICE: $14.99
RELEASED: July 23, 2014

By Rob Siebert
Editor, Fanboy Wonder

This All Out War story arc is a milestone in The Walking Dead comic book, but not necessarily for the reasons one might suspect. Sure there’s a lot of great content here, and we see some cool character stuff from Rick, Carl, Negan, among numerous others. But the six issues in this book, along with the six issues collected in the previous book, marked the only time the series has gone bi-weekly since its start in 2003. Obviously, this meant the creative team had to pump out twice their usual content over a six month period. As such, one man in particular deserves a hell of a lot of credit: Charlie Adlard.

Adlard without question proved his status as a rock star by essentially doubling his work load over such an extended period of time. And the biggest compliment you can give the guy is that the work doesn’t suffer for it. At times, Adlard even seems to thrive under the pressure.

Naturally, this book picks up where Part One left off, as Negan and the Saviors seem to have won their war with Rick’s group of survivors. Negan has found a new, horrifying way to infect those that oppose him, and at one point we see he’s willing to do something truly mortifying to Eugene. But Rick, Andrea, Michonne, Ezekiel, and the others still have hope, and the will to fight. And they’ll reap all the benefits, and suffer all the consequences that come with that.

In Part One, Kirkman fleshed Negan’s character out a bit more by giving presenting a scene where he saves Holly from being raped. He emphatically tells the would-be perpetrator that the Saviors DO NOT rape, and that after this war was over, they’d still have to live with Rick and his group. This obviously indicated that Negan wasn’t a full blown psychopath. He was a man who lived by his own set of principles. Somewhat psychopathic principles, but principles nonetheless. Oddly enough (and without spoiling anything), it would seem that those principles work against him at the end of Part Two. There’s a big climactic dialogue scene between he and Rick in issue #124, in which they essentially compare ideologies. And there’s a moment where Negan seems to have an epiphany, and finally get where Rick is coming from. I’m not sure I liked that moment. In essence, Rick gives one of his big speeches and Negan takes the pitch. I suppose it’s not impossible, especially given they’ve all been under the stressors of war. But the notion that someone as stubborn, pig-headed, and downright tyrannical as Negan could just fall hook, line, and sinker for one of Rick’s speeches is somewhat hard to swallow. Perhaps it speaks to a lack of intelligence on Negan’s part. Either way, I didn’t take Rick’s bait quite as easily.

Part Two is also a very important book for Eugene. I haven’t talked much about Eugene in previous books, as in all honesty, the character never did much for me. He was involved in an awkward love triangle between Abraham (another character I never enjoyed) and Rosita, in which his longing for her is never reciprocated. But when you look at how he’s developed sine we first saw him in issue #53, you can see that Kirkman, whether he intended it to be this way or not, has done a sort of slow burn character arc with Eugene. He started as a liar and a coward, and has now become someone willing to take risks and make sacrifices for the greater good. Ironically, he now seems very much worthy of Rosita’s love, and might just get it before all is said and done.

The world of The Walking Dead is a much more intriguing place after All Out War – Part Two, partially because they didn’t completely blow things off the way they did with the Governor in issue #52. But we’ve also got a more interesting cast of heroes than we’ve had in quite some time. Ezekiel has another great character moment with Michonne in this book. Maggie also steps up in a big way, taking on a hell of a responsibility. Carl, of course, is Carl. We get more of that good vs. evil inner conflict that has become so synonymous with him. I’m also interested to see what they do with Dwight post-All Out War. He’s essentially accomplished his mission. So what does he do now?

And on the subject of now, things change quite a bit after issue #126, as we do a two-year time jump. So this book, to an extent, marks the end of The Walking Dead as we know it. In the next volume, characters will be a bit older, they’ll look different, and we’ll have a brand new status quo. In Kirkman’s own words: “This will be a drastically different book starting with Issue 127.” But if we’ve learned anything from The Walking Dead over the years, it’s that no matter what the status quo is, chaos is never far away.

RATING: 9/10

Front page image from thewalkingdead.com. Image 1 from maxmangas.com. Image 2 from whatelseisonnow.wordpress.com.

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Lynda Carter Talks Gal Gadot’s Wonder Woman Costume

By Rob Siebert
Editor, Fanboy Wonder

Lynda Carter, the woman who helped define the Wonder Woman character for a generation on the TV show of the same name, recently weighed in on Gal Gadot’s Wonder Woman costume for Batman v Superman: Dawn of Justice.

In an interview with Access Hollywood, Carter noted that while she was hesitant to be critical, she did miss some of the color present in her old costume.

“I was missing the red, white and blue, I have to say,” Carter said. “Maybe there’s a lot more color in it than what we saw in the picture. It’s almost impossible to play a superhero anyway. You can’t. You just have to play a character that happens to do these amazing things. That’s the only way you can do it. And the costumes all take care of themselves, but it was a little more – I’ll have to wait and see. I hate to comment on something that I haven’t seen and I’m very supportive of Gal Gadot. I’m very supportive of them doing Wonder Woman, putting her in any capacity. I think she needs to be out there. … It’s high time somebody took a chance and did it and so I’m really happy about that.”

Gal Gadot will be the first actress to portray Wonder Woman on the silver screen in Batman v Superman: Dawn of Justice, which comes out March 15, 2016.

Image from shalomlife.com. 

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Bella Twins, Bad Acting, and Other Ponderings From WWE Raw

By Rob Siebert
Editor, Fanboy Wonder

Thoughts From Raw:

Jerry Lawler hosts “reconciliation” between Brie and Nikki Bella. First of all, putting Jerry Lawler in the middle of this is hilarious. His reputation with women notwithstanding, I think they just did that for the “Jerry!” chants, the Springer show and what not. Secondly, the only reason I didn’t keep this segment on mute was for reviewing purposes (your welcome). My God the Bellas are terrible. This was silly soap opera acting at its worst. “I wish you’d died in the womb.” Psssht. Give me a break…

The sad thing is, there is an okay story under all the bad acting. I can see what they want this to be. Nikki went through hell when Brie “quit” WWE to be with her husband, and now she’s turned on her because of it. There was actually a point to her whole ear-splitting rant. But, as is the case with most instances when the Bella Twins talk, the delivery ruined it. It’s nothing against Nikki and Brie personally. I admire the fact that they’ve been performing with WWE for so long. They just don’t have he chops to fulfill this story’s dramatic needs. It’s sad, really. Especially for the audience, because we have to endure a LOT more of this. We’ve presumably got a series of Bella vs. Bella pay per view matches on the horizon…

Three ridiculous things are said during the Hulk Hogan, Ric Flair, and Shawn Michaels panel discussion on Brock vs. Cena at Night of Champions:

1. Hulk Hogan: ”When it’s time, you know it’s your time.” This from the man who’s supposedly still trying to get in the ring again.

2. Shawn Michaels: “Everybody loves John Cena.” Really, Shawn? Everybody loves John Cena?

3. John Cena: ”I’m not going to Night of Champions to beat Brock Lesnar. I’m going to Night of Champions to beat Brock Lesnar’s ass.” Huh?

Goldust & Stardust seemingly turn heel on the Usos. This doesn’t make any sense. You’re going to try and get the fans to boo Goldust, a guy who’s been around for decades, and who probably has one of the best and most unique personas in the company’s history? I don’t get it.

WWE airs another interview package with Brock Lesnar and Paul Heyman. As usual, this was very effective. Paul Heyman must have a degree of creative input as far as what Brock is saying. How else could these be so good on such a consistent basis? I’d love to see Cena react to what Brock said about his dad and his childhood…

Cesaro def. Rob Van Dam, will face Sheamus for the United States Championship (presumably at Night of Champions). Remember when Rob Van Dam was the WWE Champion? Damn, that seems like a long time ago. On the plus side, Sheamus and Cesaro have had good matches in the past, and will likely give us another one whenever they end up facing off.

AJ Lee and PaigeLesbianism for a PG era. Oh c’mon. That’s exactly what they’re giving us. It’s Trish Stratus and Mickie James all over again, only now they’re PG so they have to imply everything. I did, however, like the image of AJ hugging an extremely reluctant Paige. The notion that Paige tried to out-crazy AJ and failed is an amusing one. And of course, AJ is always good with that kind of stuff. “My little English muffin.” Classic.

Seth Rollins and Kane face off against Roman Reigns. I’m a bit surprised we’re not getting more of Reigns vs. Orton, their rather dull match at Summerslam notwithstanding. Still, putting Rollins with Reigns makes creative sense, given their Shield backgrounds. But somebody needs to put in a memo to STOP using those damn fake cinderblocks. Cement doesn’t just crumble like sand when you throw it against cement. And it CERTAINLY doesn’t smash into a million pieces when you bash someone’s skull against it. The fact that Dean Ambrose wasn’t bleeding like hell last week as Raw went off the air put a major damper on his departure, in my opinion.

Rusev def. Jack Swagger. So Swagger loses to Rusev…again. I can only assume we’re building this up for one last match where Swagger finally does get the win, here. Otherwise, it seems like they’re killing him off…again.

Images from WWE.com.

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Action Comics #1 Fetches $3.2 Million Online

By Rob Siebert
Editor, Fanboy Wonder

A copy of Action Comics #1 in near-perfect condition sold for a record $3.2 million on eBay this past Sunday.

This transaction gives Action Comics #1 the distinction of being the most expensive comic book in the world. The issue also held the previous record with $2.2 million.

Published in June of 1939, Action Comics #1 featured the first Superman story by Jerry Siegel and Joe Shuster.

Source: Yahoo! News

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Guardians of the Galaxy Back on Top at the Box Office

By Rob Siebert
Editor, Fanboy Wonder

After two weeks in the second place spot, Guardians of the Galaxy has returned to the top of the domestic box office charts.

The James Gunn-directed Marvel film took in $17.6 million in its fourth weekend, bringing its total domestic gross to $251.9 million. It has now become the highest earning movie of the summer domestically, besting Transformers: Age of Extinction‘s $243.4 million.

Guardians bested Teenage Mutant Ninja Turtles, which brought in $16.8 million, bringing its domestic total to $145.6 million.

Both Guardians and Ninja Turtles continue to hold strong against their competition. For instance, If I Stay, starring Chloe Grace Moretz, premiered at third place this week with $16.4 million. Sin City: A Dame to Kill For made its debut in eight place, with $6.4 million.

Source: ComingSoon.net

Image from rottentomatoes.com.

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A Review of The Multiversity #1 – Justice League vs. The Avengers (Sorta…)

TITLE: The Multiversity #1
AUTHOR: Grant Morrison
PENCILLER: Ivan Reis
PUBLISHER: DC Comics
PRICE: $4.99
RELEASED: August 20, 2014

By Rob Siebert
Editor, Fanboy Wonder

Grant Morrison tends to lose me when he goes cosmic. In my ever-so-humble opinion, he tends to talk over his readers’ heads with the complexity of his stories. That’s why I prefer his Batman stuff to stories like Final Crisis, or even his work on JLA. But this far, he’s got my interest with The Multiversity, possibly because it harkens back to Crisis on Infinite Earths, which will satisfy some of us that have been longing for the pre-New 52 DCU.

Oh, and there’s also a publicity stunt involving a bunch of analog Marvel characters. Yay…?

The Multiversity sees Nix Uotan, the last of the Monitors (a group of cosmic watchmen, basically) and his chimp sidekick Stubs lured to Earth 7, which has been laid to waste by demonic entities called the Gentry. He saves a hero named Thunderer (a Thor analog), who then returns to a big Death Star looking watchtower base to summon heroes from all 52 worlds in the multiverse. Among them are the Superman of Earth 23 (who is also the president of the United States), Captain Carrot, and an analog for Savage Dragon. Together they must find a way to save the multiverse from Nix Uotan, as he fights against the influence of the Gentry.

The core concept of The Multiversity is, of course, awesome. We get a good look at the New 52 DC multiverse while spending time with characters we’ve either never seen before, or in the case of Earth 23 Superman and Captain Carrot, don’t see very often. We also get some fan service for longtime readers, what with Nix Uotan being the “multiversal monitor,” plus a computerized simulation of Harbinger (again, see Crisis).

Oddly enough, the issue solicitation also makes note of Earth Prime, another old school DC concept. Earth Prime is the world where we, the readers, live. In older stories, writers have used Earth Prime for meta purposes, most notably with our old friend Superboy Prime. The comic book we’re reading seems to know it’s being viewed on Earth Prime, and as such is pleading with the reader to stop reading! Similarly, The Multiversity reintroduces the notion that one Earth’s reality is another’s fiction. For instance, Superman’s adventures on Earth 23 are by Red Racer (the book’s resident comic book reader) on Earth 36. So if you know what you’re looking at, you can essentially look in on other worlds.

You’ll also meet Aquawoman of Earth 11, which I’m guessing was the inverted gender Earth that Jeph Loeb and Ed McGuinness showed us way back in 2005′s Superman/Batman #23 and #24. We also see a pint-sized Wonder Woman and Steel, presumably from the “Li’l Leaguers” story done in Superman/Batman #51 and #52. Gypsy is also in one of the group shots. Whether she’s the Gypsy we met in the Vibe ongoing series remains to be seen. All these different characters are a lot to take in, but having them all together makes for a hell of a visual. Ivan Reis, Joe Prado, and Nei Ruffino do an awesome job with the art.

But while it’s cool to see the reintroduction of some older multiverse concepts, starting off with a bunch of Marvel analogs turned me off. While this is by no means a new trick, the way DC and Grant Morrison featured it so prominently in the first issue of a story that’s been anticipated for five years is…disappointing. They even make a point to allude to all the Marvel movies. Okay, we get it. Marvel exists. And oh, look! Some of these analogs are getting beat up! How cute. But this little stunt isn’t edgy or cool. If anything, it makes DC look even more like the definitive number two publisher, because they feel the need to jab their competition in a big book like this. Really? That’s the best they can do for the first issue of a story that has practically limitless possibilities?

Still, The Multiversity, which will continue as a series of standalones before bookending with issue #2, is undeniably packed with potential and intrigue. But thus far we haven’t gotten much in terms of substance. It’s a pretty book, but Morrison spent much of this issue explaining things. Who people are, what the multiverse is, what the Gentry wants, etc. Once we get into these one-shots, Grant will have more time to stretch out and do some storytelling. But I’m hoping against hope that he keeps things as simple and straightforward as he can. Let’s be creative, but let’s also not get lost in what Captain Carrot himself refers to as “cartoon science.”

Front page image from wired.com. Image 1 from bamsmackpow.com. Image 2 from comixology.com. 

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First Official Image of Paul Rudd in Ant-Man Surfaces

By Rob Siebert
Editor, Fanboy Wonder

The first official image (shown right) of Paul Rudd in Marvel’s Ant-Man has hit the web.

The film commenced principal photography this week. Rudd plays Scott Lang, who with the help of his mentor Dr. Hank Pym (Michael Douglas), must “plan and pull off a heist that will save the world.”

Directed by Peyton Reed, Ant-Man will hit theaters July 17, 2015.

Image from comingsoon.net.

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